nrpugh.co.uk
interventions in a landscape of evasion
"....may I ask whether anyone has ever accused an artist who has painted a picture of not having drawn his inspiration from rules set up a priori? Has anyone ever asked, 'What painting ought he to make?' It is clearly understood that there is no definite painting to be made, that the artist is engaged in the making of his painting, and that the painting to be made is precisely the painting he will have made. It is clearly understood that there are no a priori aesthetic values, but that there are values which appear subsequently in the coherence of the painting, in the correspondence between what the artist intended and the result."
the artist as a young dog
nrpugh.co.uk
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